Stage Quotes
People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain.
My problem with being in New York City is that you really can't make a living as a comedian. You can, but you have to also take writing jobs, which means less stage time.
There's no feeling as a musician better than being on stage, sharing music with strangers. People you have never met, singing along, and making that connection with somebody is so awesome.
Sometimes in a defeat, you can set the stage for future victory. I wanted them to feel good about what they had accomplished. Not to like losing, but to like the success that they had.
Mutual commitment helps overcome the fear of failure—especially when people are part of a team sharing and achieving goals. It also sets the stage for open dialogue and honest conversation.
I was always directing; even back when I started on stage. I was always throwing out ideas. I just love creating stories and for some reason people would listen.
I like the most provocative and most surprising partnerships on stage. Intensity and surprise.
The human race has entered a stage where we are all dependent on each other. No other country or nation should be regarded in total separation from another, let alone pitted against another.
I love looking out at 27 semis and being like, every single one of those semi trucks is there to put together my stage.
People do not understand that what I do on stage is a character, my fans know who I truly am.
We have received a dog with serious eye problems and a skin disease in hopeless stage. The person who brought it here demanded we cure it for free and refused the idea of euthanasia to end its pain.
I absolutely love what I do, and I want to dance for as long as I can and feel good about what I am putting out there on the stage.
Ballet is number one, everything else is scheduled in the small windows when I'm not in the studio taking class, rehearsing, on stage or on tour.
Britannia High is this new, edgy series which follows the lives of seven kids, their friendships, and the troubles they go through at stage school.
Sometimes, a stage curtain parts and you see: life could be better if you had more. Usually, I think, we can get just as good a different way. But tricks, they do not always work.
I've just never been the kind of actor that things have stayed with. I've never needed to carry a character off stage.
Stage is really hard work. You've got to do it every night. Not like doing it once and walking away.
My roots were pretty far removed from high income. It's interesting to be back there at the level of income I have now, at this stage in my life.
When I became tired of oil painting at one stage, I used collage and this proved to be influential in the design and composition of my later works.
I push my own limits every day, every moment - in the studio, on the stage and beyond so it's truly a genuine fit.
I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
It's all very hazy to me now. I'm glad I made it through that stage. It got a little dicey. There were some drugs going on. I remember singing one song for about a day and a half.
A job is never truly finished. It just reaches a stage where it can be left on its own for a while.
You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
I had come to a stage in life where I didn't need to earn an income, I didn't need to earn a reputation, I didn't need fame, I didn't need any of the things you might want in your early career.
You know...it's a hard age. Kids are in that stage where they're beginning to understand the world of adults, without having the maturity of adults to deal with everything going on around them.
I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.
You move differently than you do when you're filling the stage at Radio City. You have to be bigger than life there.
There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.
I love the theater. I love being on stage; I love the live audience. I also love dressing up and all of the make-believe.
I am proud that my collections have received such praise, and I am even more proud to share the stage with so many talented designers.
You leave part of yourself on every stage you're on. How could you not live in the air somehow?
I didn't have a stage mom at all. I was the one who planned out my auditions and drove myself an hour and a half into the city.
I think there was an overemphasis in the early stage on militarization rather than directly providing relief. I don't think it has any long-term significance.
My fondness for extended monologue might have been encouraged by two decades of writing stage and radio dramas.
My mum's always on at me to have children and blames 'that stupid stage thing you do' for me not already having a family.
I'd say that, first and foremost, I'm a performer; I started performing when I was four years old, and being on stage from a young age set me up.
There was a point a few years ago where I realized I started out playing boys on camera and stage, and then I translated that to playing boys in animated shows. I was like, "Whoa, this is intense."
Rock stars are like prophets. There's something about somebody who can get up on a stage and sing. And then when they write you songs, forget it, okay?