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I have to say that I have been blessed with significant teachers at every stage of my life.
Actors and preachers are people who stand up on stage and have no problem talking and they have no problem saying, "Listen to me. Follow me. I know what I'm talking about."
You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me.
I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.
If all the students who slept through lectures were laid end to end, they'd all be a lot more comfortable. If all the world's a stage, I want to operate the trap door.
When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.
When I started performing, I decided that if in five years I couldn't earn as much money acting as I could as a teacher, it would be unrealistic for me to continue on the stage.
The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
At a certain stage of misery, you'll try anything to explain what's going on with you, even if you know it doesn't explain a thing and it's one failed explanation after another.
Those who help a child help humanity with an immediateness which no other help given to human creature in any other stage of human life can possibly give again.
I did not go to art school thinking that I was an artist; I went there mainly doing stage sets for bands. I considered my work more as an applied art for musicians, not as art in and for itself.
If you had of told me age 10 that in 19 years time I would be on a stage in Salford performing with Les Dennis in a sitcom I had written, I would have believed you.
At each stage...entirely new laws, concepts and generalizations are necessary, requiring inspiration and creativity to just as great a degree as in the previous one.
And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
I've had a great career in sports broadcasting - but I'm interested in lots of things. I like to write, I like to produce video projects, and I love to appear on stage.
There are still people - the majority on the stage, they want to topple [Bashar] Assad. And then there will be chaos, and I think ISIS will then be in charge of Syria.
In 2002 Mom and I got a chance to act together in a play called 'Pitching to the Star,' with her brother, Robert Lipton. The three of us on the same stage - that was such a special experience for me.
Then I got together with my brother and a friend and we decided to play dates. The more we played, the more we wanted to do it. And it got to a stage where we wanted to do it all the time.
The love we most cherish will, of necessity, bring us pain. Because that love is like the setting of a body with broken bones. But I want to stage the setting. I want to direct all scenes.