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Adolescent stage in the development of the human race from which humanity should free itself.
I like to dress up and look nice. I'm not quite at the stage yet financially to do that too often, but it's nice to push the boat out a little bit for award ceremonies and stuff.
I don't like kids that are pushed into things by stage mums, but when I can see they are having a good time, they're excited and enjoying the process, then I think it's wrong to discriminate.
I'm 47 now, and I'm at that stage where I'm still young but I'm not young. I'm not old but I'm getting old, and I have stuff at home that reminds me of people and places.
You should make an effort on stage because it's a performance. The stage should be glittery and camp, but I don't go down the shops in full stage gear.
I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
Musicals are so expensive to put on the stage that you have to have the backing of a corporate, you have to have Universal Studios or Disney or somebody to put in the money.
And if Henry Higgins is not the most reprehensible character ever written for the stage, that's only because somewhere, somehow, someone is composing a musical biography of Ronald Reagan
In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!
If I wasn't so lazy, or if I had a roadie, I'd have a line of guitars on stage. I'd have a lap steel and a nylon string up there, but who wants to keep up with all that?
Whether it be Beyonce or Justin Bieber, we see singers who have absolutely nothing to offer anyone as they walk off stage clutching three Grammys in each hand.
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
A hysterical young woman with flowing brown hair is also called from 4, but she's quickly replaced by a volunteer, an eighty-year-old woman who needs a cane to walk to the stage.
When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.
That's what's nice about playing festivals, too. You're on this huge, enormous stage and you've got 200,000 watts of power blowing your guitars all over the place. It sounds good.
I'm still very much in the apprentice stage of writing. I read somewhere that you need to write a million words before you know what you're doing - so I'm headed that way, but I'm nowhere near there.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
When I hear that high-pitched sound of all those people screaming together, it's like, I want to get on stage right now. It's the most amazing feeling.
Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.