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Rent-control laws disproportionately benefit the non-poor because the elite pull strings, work the system and are better connected than the non-poor.
I'm not saying I wouldn't play a seven-string. It's just that I've never needed one. Most dudes who play seven-strings don't sound any different than someone playing a six-string that's tuned down.
So when you ask me how string theory might be tested, I can tell you what's likely to happen at accelerators or some parts of the theory that are likely to be tested.
I grew up always admiring business owners. I was always interested in knowing who pulled what strings. I've always been in love with the decision making process, not just the product.
We must be wise taskmasters and not require of ourselves what we cannot possibly perform. Recreation we must have. Otherwise, the strings of our soul, wound up to an unnatural tension, will break.
I learned so much about music by playing this little, miniature songwriting machine [ukulele], especially about melody. The motto is less strings more melody.
Radio, sewing machine, bookends, ironing board and that great big piano lamp - peace, that's what I like. Butterbean vines planted all along the front where the strings are.
Most of my guitars have been instruments that look cool. I'm not picky. I never think, 'Oh, this neck isn't made of ebony,' or, 'These strings don't feel correct.' It doesn't matter too much.
One very important aspect of string theory is definitely testable. That was the prediction of supersymmetry, which emerged from string theory in the early '70s.
I would hardly change the sorrowful words of the poets for their glad ones. Tears dampen the strings of the lyre, but they grow the tensor for it, and ring even the clearer and more ravishingly.
The sound of the mandolin is a very curious sound because it's cheerful and melancholy at the same time, and I think it comes from that shadow string, the double strings.
Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.
I experimented a bunch with Ernie Ball in getting the strings to not flop around too much, but at the same time not to be too thick to where you're playing telephone cables.
When you talking about funk music you just talking about a collage of a lot of different types of music. They used strings, they had brass, they had vocalist.