Studios Quotes

Studios Quote of the day

I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record.

I like making work in my studio day in and day out, but I'm not so interested in the business side

Perhaps the place to start looking for a credibility gap is not in the offices of the Government in Washington but in the studios of the networks in New York!

You can build radiant health, success and happiness by the thoughts you think in the hidden studio of your mind.

The studios will go wherever they smell money. It's like sharks to the blood.

I'm happiest when I'm just hanging out with my friends... it really doesn't matter what we do.

You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.

It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.

I love playing live, I don't like studios all that much. I need the reaction of the audience.

If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.

All pictures painted inside in the studio will never be as good as the things done outside.

Art comes from life, not from the studio

After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.

When I go into the studio, I completely detach. I let my emotions come out.

I was born into the studio and all I really know is dance.

One week I was in school and the next I'm at Leavesden Studios in Dumbledore's office reading scenes with Daniel Radcliffe. Weird. And terrifying for such a huge 'Harry Potter' fan

Most studios in Memphis had a house set of drums; the drummers just brought their own sticks.

When I graduated college I needed to make money while I was pursuing acting, so I read screenplays and made a living writing coverage on them for studios.

I would have been content to just do studio work, making it on my own never really entered my mind.

I think that probably the - I don't give quotes to studios. They have to get those out of the paper or from television. So they wouldn't have had my quote opening day.

Studios might support people trying to do something a little bit different and they'd be more open to the fact that there's more than one path to the waterfall.

I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.

I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.

Maybe studios don't want to see women acting in a way that isn't womanly. Maybe people don't.

I feel most real to myself in the studio.

I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.

The only bad studio is the unused one.

But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.

I don't really have studios. I wander around - around people's attics, out in fields, in cellars, anyplace I find that invites me.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.

I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.

In L.A., I live right across from Universal Studios.

I love the studio. It's my place to escape and to create and to try anything.

And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.

I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.

In the old days the studios guided your career. Now it's all up to you.

I always loved music and I always loved to perform, and that's my favorite part, to perform; my favorite part is not the studio, I can't stand the studio.

We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did.

I'm really interested in having a studio one day and being a filmmaker.

The studios have been taken over by marketing people and accountants.

With songwriting I spend a lot of time living life, accruing all these experiences, journaling, and then by the time I get to the studio I'm teeming with the drive to write.

[Maxine Waters] was kind enough to join us here at our studios in Washington, D.C., in advance of women's march in Washington in which she will be participating.

Studios and networks who ignore either shift - whether the increasing sophistication of storytelling, or the constantly shifting sands of technological advancement - will be left behind.

Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.

I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.

Most architects work in ­studios largely divorced from academia, as if ideas, criticism and ­historical ­research were irrelevant.

Studios are like hospitals. A lot of people check in, and they don't check out.

When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.

When I'm in the studio, there are no boundaries.