Studios Quotes

What's working for me is like when I go into the studio, I'm trying to get goosebumps.

Studios are mercurial kind of creatures. A lot of the times getting a movie out can be as much luck as anything else.

One thing that seems to surprise the studios is finding out later my willingness to audition. Under the right circumstances, I actually enjoy it very much.

In my opinion, there's this new phenomenon where guys used to talk about cars a lot in the past. But, more and more it's becoming them talking about recording studios.

Now women are rising to great positions and they run most of the studios now.

For years it never occurred to me to question the judgment of those in charge at the studio.

I have a real interest in pushing some of the limits of things that studios don't want to make.

I realized that the studios didn't really understand their own system.

There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".

Sometimes I do, sometimes I don't. But while I'm doing vocal in a studio, I can't stand it.

Don't forget, I've been fired by studios; I'm not the studio's guy. I'm a guy who can work with studios, but if you ask any studio, I stand up to these people.

Relatives cannot help you in the studios. You stand or fall by your own efforts.

I think audiences ultimately want something new. I think the business model for a franchise is such that it's very low risk because you have data and studios love data.

I love the magic of the studio.

I park two blocks away from Nickelodeon studios and I hop on my skateboard and I skateboard the rest of the way to the studio.

Studios look backward. Filmmakers look forward.

There’s nothing like a good ol’ film light in a fogged up studio.

Executives and studios really like to have control over their product. They panic or they're not secure enough to trust in the powers of really amazing improv people.

I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.

In modern studios, we're so used to becoming little dictators; you're used to the fascism of having complete control over every element.

There's always music sitting around, but when you're cultivating music, the idea of getting into a studio and compressing it to get something out on time can be really good.

While I had done the movies through Revolution Studios, we own the sitcom. It was a situation where, once the team was assembled, I knew we could create something really, really good.

I don't listen to nothing while I'm in the studio, because I don't want to be influenced by anybody else.

We have gotten some terrible reviews at times but if we depended on the judgment of the studios or critics, we never would have made more than one movie.

I am currently talking to one of the studios about making American Star as a TV series.

If you look at American studios, the big productions have nothing to do with reality.

Studios are run by those who are way too old or mostly young, who don't think creatively.

Studios weren't banging on my door to offer me parts... And I thought, well how am I ever going to make movies that speak to my heart and to my values?

Producers and studios want to make movies that are more appealing internationally and I think that you have to use your different cultures as an advantage to be able to make those movies.

I'm happy in English studios. I just feel like there's no pressure anywhere.

I'm always working. If I'm not in my studio I become quite nervous.

More women have to be in charge of studios, so that they can greenlight films with women.

Actors dread working with studios because they dictate what you do in a way that independent movies can't.

More and more, I've started to understand that no show is dead unless somebody decrees it's dead at a studio.

I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.

A studio is a good place to smoke your pipe.

You could go to New York City, you could go to LA, you could go to the highest class studios in the world, they'll have all the bells and whistles, but it's not going to make your record any better.

My first cut that I showed the studio was probably 2hrs 20min.

The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.

It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.

I always like the studio best, once I got the hang of it and the control. I like it because it's complete control

As a studio, you have to have a niche. You have to provide a service and there has to be a reason for your being around.

Bands will always need studios. The more people there are recording at home, the more people there will be who are going to need a studio.

When my wife died, I booked myself into the studio just to work, to occupy myself.

It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.

There are a lot of characters that you can get into that don't exist in the studio world.

I love performing live, especially when I get in the zone. But the studio is really becoming a place I have grown to love.

I'm really not working in a environment that's sonically pristine. It's not a conventional studio, obviously; it's a bit ramshackle.

A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.

Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.