Style Quotes

It's very hard to describe your own style. And I'm young, so I'm still experimenting. But I think it's quite British and very much about individuality.

I'm lucky that I've worked with so many different directors with very different styles and with a lot of different actors.

I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.

My style is more moi-centric.

My mother and my grandmother would make an apple tart in different styles, and I had one per day. Every day I would eat one full apple tart.

I play hard and aggressive. I don't lay out the huge body checks because it's not really the style I play. But I love to be around the net and love battling corners and trying to dish pucks out.

I'm an actor/singer who moves well... sometimes. I'm actually a great mover but not every style fits my body and a dance call back is my worst nightmare.

My style is simple, kinda girly, but with a bit of an edge.

When you can take something that is a reject at the thrift store sitting on the bottom of a pile of junk and make it work, make it look interesting, that's real style to me.

I don't like precious things; I don't spend thousands of dollars on jewellery for myself. I like going into a junk store and finding something for five dollars. That's my style.

People make excuses [for not wanting to fight me]. It has a lot to do with my style. I'm a crafty fighter but I can also punch.

I'm fortunate to be able to draw in different styles, but each style demands another approach from the previous.

There's this crazy thinking that style guarantees truth. You go out with a hand-held camera, use available light, and somehow the truth emerges.

It's a kind of honour when I see how many people are imitating the style of how I make films.

My girls are very fashionable. They have a very good eye for marrying style and fashion.

I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.

What's interesting is that my style is a lot crazier than what I project out there. It's a lot edgier.

When you refuse to fight guys because you say you are better than them, that is not really being the best. If I could just fight certain fighters that fit my style, I would look great in all of them.

If I were to live in Africa, serving the poor, the number-one thing I'd miss wouldn't be running water or electricity - it would be style... being able to get dressed up and feel beautiful.

Most style is not honest enough.

I just couldn't make the grade as a hack-that, like everything else, requires a certain practiced excellence.

I define a diva as a woman who possesses courage, beauty, style, and confidence. Based on that definitions, I've probably got a bit more work to do.

Style is what's there when you look at someone's writing and you know that they wrote it and nobody else did.

All style is personal - that's what distinguishes it from fashion.

A magazine to have style, must need and understand and invest in what jingles - not jiggles - in designer jeans.

'Godfather' was very classical, the way it was shot, the style, the whole driving force of it was more classical, almost Shakespearean.

I've never been a big fan of the music-video style of editing movies that crept in the last few decades. I like stuff that's able to take its time.

I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors.

He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read.

If you want to create a different character, you can do so just by altering your style of dress and cosmetics.

Clothing is art. It's an expression of how you feel. I think that it's not so much a question of a certain style or designer, but of finding the type of clothing that works well for you.

Be a great capitalist. Be a great socialist. Be a great whatever you want to be, but do it with style, clarity and precision. That is the hallmark of those who seek higher knowledge and truth.

I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.

Style is something peculiar to one person; it expresses one personality and one only; it cannot be shared.

Everything that is ponderous, vicious and pompously clumsy, all long-winded and wearying kinds of style, are developed in great variety among Germans.

The grand style follows suit with all great passion. It disdains to please, it forgets to persuade. It commands. It wills.

One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.

Anatoli Tarasov, the guy that created the Soviet style of play, was a visionary. He was a creative thinker. He studied ballet and chess and art and read a lot.

I'm not a fashionista - I adore creative and original people with their own style.

I'm not even sure I have a style! All I know for sure is I don't want to look like everyone else.

Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.

I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.

During our first meeting, Tony Iommi was a great jazz guitarist, his capabilities cover all styles - Black Sabbath has even narrowed his horizons.

I've never been much drawn towards satire of any kind. I don't like that style whereby you kind of stitch people up. But the deeper thing is that I just find these people so impressive and admirable.

Each of my book arrives at a form and a style that is appropriate to the subject.

Many intelligent people, when about to write . . . , force on their minds a certain notion about style, just as they screw up their faces when they sit for their portraits.

I am thoroughly tired of the fable style of narrative and shall do my best to get up something entirely different and possibly little more worthy.

Western-style multi-party democracy is possible but not suitable for Africa.

Style is the gossamer on which the seeds of truth float through the world.

Effectiveness of assertion is the alpha and omega of style.