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Subject matter must be normal in the sense that it does not appear sought after so much as simply happening to one.
Subject matter does not determine a successful painting. It is the manner in which one personally envisions and interprets the subject that is the magical equation.
None of my own experiences ever finds its way into my work. However, the stages of my life - motherhood, middle age, etc. - often influence my subject matter.
In the class that I teach at one University, I stress that my one-word definition of politics is money. You can't name a subject matter that money doesn't touch.
Some people might think that the paintings are involved with a mythic - not just subject matter - but a certain sort of physical space that the paintings occupy...like personages.
I start with the subject matter I want to write about. Then I make a musical base for that and create an atmosphere with the music. Once I've done that, the lyrics come last.
Some people have subject matter expertise in one thing. Some people tend to be creative but not reliable, and others are reliable but not creative. Everybody has different dimensions.
I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.
The sciences which take socio-historical reality as their subject matter are seeking, more intensively than ever before, their systematic relations to one another and to their foundation.
It's the subject matter that counts. I'm interested in revealing the subject in a new way to intensify it. A photo is able to capture a moment that people can't always see.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter. But you learn as you go, I suppose.
If your everyday life appears to be unworthy subject matter, do not complain to life. Complain to yourself, Lament that you are not poet enough to call up its wealth.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
Every essay - the subject matter of every essay - is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
I'm really attracted to authors who take on really tricky material with a very open mind and take a subject matter that you wouldn't think would be a comedy.
Everyone has been to school. Everyone has a sense of classroom dynamics and politics, regardless of subject matter. And if you've lived long enough, everyone hits a big life transition.
For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
There's a rapport that any photographer is going to have with his subject matter. And if you don't have a rapport, you're going to find the task of photographing it difficult.
If you've done what you intended and if nobody tampered with it, then it's yours. And if people don't like it, then they just don't agree with you on that subject matter, and that's life.
In terms of content, you can make a problem for yourself, I mean, make the contest difficult, let's say, with certain subject matter that is inherently dramatic.
I encourage playfulness and experimentation with both the camera and subject matter. Sometimes there is an obvious perspective, but it is important never to be satisfied with that.