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I can bring in experiences that other actors who only grew up in television do not have.
I've never swayed from who I am. People have seen me on television, and they know what I'm like and they know what I do and they respect me for what I do. They know that I'm huggy and kissy.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
Ridley Scott's company makes great work in whatever arena, whether it's movies or commercials or television. They just do really quality stuff, so you know it's going to be quality.
I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.
Television tells us only the things it wants to. It still feeds us heroes, it still offers villains. And even though we know better than to always trust it, we still watch.
It's a word called symbiotic, you send the messages and it comes back in return. Together, it's a wonderful thing, it's why television is so great and film can never reach.
I just don't see the social good in using taxpayer money to fund a network that provides more television and bandwidth for illegally downloading files.
I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.
FACE THE NATION is the second oldest program on television. It began in 1954, fifty-eight years ago. I've been here at the table for the last twenty-one.
The ethics of editorial judgement, however, began to go though a sea change during the late 1970s and 80s when the Carter and Reagan Administrations de-regulated the television industry.
Women watch plenty of television and theater. They're consumers, like everybody else. I think people don't thinking women go to the movies is a thing that still has to be addressed and changed.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.
The hope for me going back into television - after doing what will have been two years of radio - is to bring that authenticity with me. And, to not have the visual be overpowering the content.
I'm an old git now, so I would say this, but television was better when there were less channels. There was more concentration and selection in terms of the output.
The number of people in public life who appear on television or on the big screen who are content to be who they are, you can probably count on one hand.