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As a black actress, all I was offered in British film was the best friend role, whereas in television, I was offered a whole spectrum of parts.
So I'm happiest when I'm working with artists and writers, and involved in stories, whether we're talking about animation or movies or comics or television.
When I decided to pursue a career as a Muppet Performer when I was in college, it was my hope to be able to play a wide range of Muppet characters in all areas and genres of television and film.
I would make the movie industry more like the television industry. TV is more material driven. In TV, you can break new stars. TV can take more chances.
I'm hoping that these series, that originally aired in the 80's and 90's, prove to be as entertaining online and on portable devices as they were when first broadcast on network television.
Even in 2012, if there's a black character in the movies or on television that's a professional, if we even hear about their backgrounds they're always 'up from the streets.
I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
My goal as an actor was to work - to be a working actor, whether it was in theater, and, well, I didn't even consider film and television when I was in New York, but what came along, came along.
I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.
The problem is, there are definitely some genuinely lame things on television, and there's more at the bottom of the barrel, because the barrel in a sense has gotten bigger.
Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.
Because television doesn't offer the kind of budget that a movie offers, you've got to be a little more careful where you spend the money to put the fiction in science.
I asked Mr. Vann which O levels you need to write situation comedy for television. Mr. Vann said that you don't need qualifications at all, you just need to be a moron.
We've been playing a lot with television. We have some shows set up and then some new shows that are about to be set up. That's gonna be kind of a fun thing for us as producers.
My words hang in the air. I look to the screen, hoping to see them recording some wave of reconciliation going through the crowd. Instead I watch myself get shot on television.
When I have time, I write other things. I'm working on a book, I paint, I sculpt, I play with my dog, I watch television - I catch up on South Park or movies or whatever I've missed, normal stuff.
In recent years, I've been writing because I'm fortunate enough to work in the world of food television, to travel and taste and learn about cooking from the best chefs in the business.
Whenever anyone does as this ad does, plays the actual words of Donald Trump on national television, his response is to yell, "Liar." Their strategy is simply to yell, "Liar, liar, liar."
I think that's the problem with kids now. Everything is manufactured. And then they're sitting there watching the television, where all the work is done for them. Radio made me use my imagination.
I think there are certain technical things about acting that change between working in film and television. Everything definitely slows down and we have more time in film.