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I'm 33, my generation, when I was young, we'd go out into the woods for the entire day and come back for dinner. I was definitely a kid of the '80s, who was out and about.
When people talk about gender-benders and bracket me with George, I always think I'm not like that. I had more of a rock edge, mixed with the 80s electro.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone".
I was very surprised how many people were earnestly reminiscing about the '80s. It's such a stupid thing to do, like, to be honestly invested in nostalgia. It never even occurred to me to do that.
Ever since I first used a computer in the early '80s, I've thought of it as a fundamentally new medium for the dissemination of ideas which can transform people's lives and the society we live in.
During the '80s I wrote Memoirs from the Women's Prison. This is one of my most important books. It came out in Arabic in '83. About my experience in prison.
I have a feeling of reverence about my father being in his 80s - a feeling that I want to whisper, take soft steps, not intrude too much. He's like a stately old cathedral to me now.
Daft Punk and I belong to the Generation 75. We were born in 1975, so we are somewhat in the middle of the rebellion and freedom of the 70s and the consumer culture of the 80s.
I guess, on my list, going back to some old American stuff and British stuff that I used to love in the '80s, would be a British show called Dad's Army, which recently just turned into a movie.
I am realizing how old I am 'cause I am meeting so many people that were born in the 80s, which is crazy to me that I was going through puberty and [they weren't] even alive.
Some of the '80s movies I did are sort of museum pieces. St. Elmo's Fire is great as a sort of kitschy, "Oh, my god, I can't believe we wore that" type of movie.
The ethics of editorial judgement, however, began to go though a sea change during the late 1970s and 80s when the Carter and Reagan Administrations de-regulated the television industry.
In the early '80s, I was blown away when I began to hear some of the earliest hip-hop songs, and I'm fascinated by all the permutations the genre has gone through.
Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which certainly informed things we later filmed.
When I first got started in the late '70s, early '80s, and first was thinking about the interactive world, I believed so fervently that it was the next big thing, I thought it would happen quickly.
Being a man of taste and sophistication, the 80s were objectively, quantifiably, empirically, diagram-it-on-a-blackboard the worst decade in the history of recorded music.
My friend Fred Coury, the drummer in '80s rock band Cinderella, told me that in the rock world, you're either still there, or you're struggling to get back to where you were.