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It's fun working on the set... I usually work about 10 and a half hours a day, and I also study about five of those hours. It can be tiring, but it's fun!
There was always a quest for more minutes, more hours, faster progress to accomplish more in each day. The simple joy of living between summers was gone.
Though we are involved in social work, our goal is to be contemplatives at the heart of the world. We are with Jesus twenty-four hours a day. We do everything for Jesus. We do it all unto Jesus.
I was out on the shooting range twice a week [for Skyfall]. I worked out with a personal trainer for two hours a day, five days a week. So, it was quite demanding!
I can promise you. If you work 12 hours, I will work for 13. If you work 14 hours, I will work for 15 hours. Why? Because I am not a ‘pradhan mantri’, but a ‘pradhan sevak’.
It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
I think I need to be married. Having a wife and family makes some sense out of all that I do, because I can't make any sense out of 20,000 adoring fans watching me for two hours.
In many respects, people on the outside suffered more than those of us in jail. In prison, we ate three times a day, we had clothing, we had free medical services, and we could sleep for 12 hours.
I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
I have wonderful band mates that make music that I'm forced to listen to for hours on end until I come up with verses, and that in itself is an inspiration - they're awesome.
I live opposite an amazing wood in London, and you can usually find me sitting there for hours and sketching. Sometimes the icon or symbol leads me to the face, but usually it's the other way around.
I write fantasy because it's there. I have no other excuse for sitting down for several hours a day indulging my imagination. Daydreaming. Thinking up imaginary people, impossible places.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
[Buckminster Fuller] could do four, five hours straight where some people would leave, eat, get a snooze and come back and he's still going. He was like a fireplug.
In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.