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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
A new opinion counts as true just in proportion as it gratifies the individual's desire to assimilate the novel in his experience to his beliefs in stock
What I like to write about is stuff I know. I don't think I could write a novel. I don't think I have it in me to come up with those kinds of characters.
Whenever I get lost in a novel I just throw a poem in. What it does is flare up, and it's so illuminated that I'm able to see where to go. I write between these illuminations.
You can make your superhero a psychopath, you can draw gut-splattering violence, and you can call it a "graphic novel," but comic books are still incredibly stupid.
A novel according to my taste, does not come into the moderately good class unless it contains some person whom one can thoroughly love - and if a pretty woman, all the better.
Pressed against her I can hear eternity -- hollow, lonely spaces and currents that churn ceaselessly, and the fallen snow welcomes the falling snow with a whispered "Hush".
In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
I got this idea of doing a really serious big work-it would be precisely like a novel, with a single difference: Every word of it would be true from beginning to end.
Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
My advice to anyone adapting a novel is that once they've read it and learnt to understand it, then they must throw it away and never look at it again!
Some authors, when starting a novel, imagine a place first. Others, a character starts taking shape in their head. I start with a hook, a situation, a 'what if.