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Many people have a novel inside them, but most don't bother to get it out.
My view of an excellent novel was probably set in the golden age of fiction in the 19th century: narrative, character and voice are of equal importance.
I keep telling myself I should try very hard to write a novel of about 210 pages... I don't seem to be capable of it, but I keep hoping it will happen.
He brought his great hand to rest on an early edition of Bram Stoker's novel and smiled, but said nothing. Then he moved quietly away into another section.
I was thinking about what I wanted to write next, after my first novel, and had decided that I wanted to write a story with a lot of strong female characters in it.
All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.
Ever since the '70s, Maj Sjowall and Per Wahloo were the godfathers of Scandinavian crime. They broke the crime novel in Scandinavia from the kiosks and into the serious bookstores.
But I always seem to finish a book and then think, oh God, I've got to pay a tax bill, so I'd better write a novel, so I tend not to stop and learn word processing.
Am I worried people will say I'm repeating myself? Sure. One thought I had was to publish it as a novel but eventually I just decided to do what I wanted to do.
Steve Yarbrough is a masterful storyteller-one of our finest-and Safe from the Neighbors is a masterpiece. . . . This is a spellbinding, powerful novel.
Im sick of the foodies who need every morsel that goes into their mouth to be a Picasso painting, a Giacometti sculpture, a Proust novel, evoking the world with each crumb.
I think the path to becoming a writer has become more through the novel. It's easier to get a novel published than a book of stories, obviously, especially through big publishers.
A lot of people have come up after Brookland and asked, "What happens to her at the end of the novel?" and I will very politely say, well, here are the two possibilities.
Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
Of course I planned to write the Great American Novel; that lasted about a week, at which point I decided I had nothing to say that could possibly qualify. So I wrote a romance instead.
When you get ready to write your novel, outline it first. There's nothing worse than getting halfway through and realizing you've painted yourself in a plot corner.
Seriously, I think what all the puzzling over parenthood I had to do to write [a novel] ROOM taught me is that children can thrive in a remarkable range of situations.