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A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other.
The writing in Mission to Paris, sentence after sentence, page after page, is dazzling. If you are a John le Carr fan, this is definitely a novel for you.
Whenever I start a novel, I'm always looking for two things: a bit of science that makes me go 'what if?' and a piece of history that ends in a question mark.
For me Oliver Twist is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.
I know for a fact that - it's just the way our biases work now in the industry of literature, but certainly a short story collection does not receive the same kind of attention as a novel.
I am a businessman at the end of the day. I have grown up with Excel sheets. I start out writing my novel with spreadsheets and the milestones in each chapter highlighted.
Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.
The short story is still like the novel's wayward younger brother, we know that it's not respectable - but I think that can also add to the glory of it.
SOON was the first novel where I used a rough outline. Usually I have characters and an idea and write as a process of discovery. Like working without a net.
The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice.
The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.
Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel.
Virginia Woolf's great novel, 'Mrs. Dalloway,' is the first great book I ever read. I read it almost by accident when I was in high school, when I was 15 years old.
I may attempt a novel. I think that no matter what you write, it requires being honest with oneself, and you have to pull yourself out of the whirlwind of daily life.
I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.
I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
I'm writing a novel about two actresses who go to New York, because that's what I know about. One has lost touch with reality, disappears and is picked up by a man.
I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
It's not an accident that, while bookstores are all in a tizzy, one of the more lively and alive sections is the so-called "graphic novel" section, because those are harder to replace.
I've always felt that life is a novel, and part of it is written for you, and part of it is written by you. It's up to you to write the ending, ultimately.
Sir Walter, with his 61 years of life, although he never wrote a novel until he was over 40, had, fortunately for the world, a longer working career than most of his brethren.