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In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we had the Internet in those days, we wouldn't have needed the Co-Op.
It started when I woke up, all I wanted to do is jump out of the window. I didn't want to eat anymore, because I was afraid that I might poison myself somehow.
Before I got into politics, I wanted to be a missionary to people in the Middle East. I thought it would be better to speak with them in their own language.
...he was leaving me. I wondered if I should stop him. If I should wrestle him to the ground and force him to love me. I wanted to hold his shoulders down and shout into his face.
I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.
I wished God were like He used to be, a few notches lower. I wanted Him to be lofty enough to help me but not so uncontrollable. I longed for His warm presence, times when He seemed more… safe.
John Wetteland had a very good curveball. He threw it for a strike, too, in any count, any situation. But, he really didnt use it much. He didnt want to throw it. He wanted to throw fastball-slider.
This is all I ever wanted - to help students and artists see myth as a reflection of the one sublime adventure of life, and then to breathe new life into it.
It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on - which was just what you wanted it to do.
I didn't want to just work within Hollywood when I started a production company. I wanted to be able to collaborate with great artists from all over the world.
Even the way the kids react with media today is so completely different than what most movies have. We just wanted to make a movie that challenged them.
I obviously wanted to play for the Kansas City Royals. (Laughter) I also knew that was far-fetched. The truth is I don't really know what I wanted to do.
Coming off of 'Book of Mormon,' I had a lot of opportunities. I didn't want to do TV, actually. I really wanted to get paid nothing and keep doing theater at all costs.
Growing up in the acting world, you have a lot of opportunities to change who you are and what you believe in based on how people treat you. I never wanted to do that.
I never started writing because I wanted to write myself stuff. It was really more that I had these stories to tell, and I wanted to work with people that I respected and liked.
I didn't want it to have any technical virtuosity; I wanted it to just be really clear how it was made. For my work in general, it's always really clear how it is made.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
Childhood is the province of the imagination and when I immerse myself in it, I re-create it as it was, as it could have been, as I wanted - and didn't want - it to be.
Does it bother me that I'm attached to 'Three's Company' 30 years after? Not at all. All we were trying to do was be funny. How can I complain? That's all I wanted to do.