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But when I stopped facing Sandy, I had to face Don Drysdale. No one on my team wanted to face him.
[John] Hughes really wanted it to sound authentic. He was a real collaborator. He encouraged us to bring to the material things we thought were maybe more truthful.
I've always been a perfectionist, so I always wanted to sound better than I did. But, that's a never-ending process. You always want to get better. There's always room to grow.
If I was playing Carrie, I might have done differently but I felt like as my character. I mean, I'm definitely bringing myself to the role but I wanted to pay homage. I hope I did. We'll see.
I knew about the music. I got that part but I wanted to know the business, I wanted to know about royalties, how people got paid, producers and stuff like that so I read all those books like twice.
A lot of people don't know this, but when 'Dancing with the Stars' first asked me to be on the show, I said no, because I wanted to act and to be taken seriously.
It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.
I have wanted to write from a young age, but working with so many gifted authors and editors over the years has taught me so much. I doubt I would be where I am today without that amazing experience.
I wanted so much to keep you safe. I did my best. I'm sorry things didn't come out different for the two of us. I wish I could have been good enough for you.
I'm one of those apocalyptics. From the start of my immigrant days, I've been fascinated by end-of-the-world stories, by outbreak narratives, and always wanted to set a world-ender on Hispaniola.
I always wanted to know what the music behind some music was, or where it came from, and that gave me a point of reference for understanding the music I was listening to.
When I first started acting in movies - as probably a lot of naive young actors do - I made a list of directors that I wanted to work with and sent it to my agent at the time.