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When I was I kid, there were so many different things that I wanted to be. As an actor, I get a chance to be all of those things, at least for a couple of days, which is fun.
Which is worse, Risa often wondered, to have tens of thousands of babies that no one wanted or to silently make then go away before they were even born
Look. I brought you here to give you a choice-" "You didn't bring us here," said Nick. "You're here," said Bod. "I wanted you here. I came here. You followed me. Same thing.
People wanted to get me published, and my early work was so weird that they weren't getting anywhere. I thought, okay, I'll do something that's just a tad more normal.
It changed my life in a lot of ways - before I got that role I was just going form job to job, not really having enough money to be able to do what I wanted to do.
I wanted to write a story that was different than what I've done before - so I decided to write dual love stories that will keep the reader wondering how the stories will come together by the end.
I wanted to apprentice myself to the dailiness of the war's beginning phase. It's truer and more frightening that way - when you're afloat on a little dingy in the midst of it all.
I had forgotten that Jess felt about long words the way that racists feel about black people: She hated them, and wanted to send them back from where they came from.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
The things I wanted to be when I was a kid were an archeologist, because of dinosaur bones; a garbage man, because they got to ride on the side of the trucks; and a writer.
I always wanted to play in a pink boot ever since I was young. I never saw anyone play in a boot like it. I think it's an outstanding colour and looks amazing.
Every song is like a reflection of some emotions and words that we wanted to say to someone else, or some currents of life that went through our brains.
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."
I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work. It's just how do you get it seen?
I felt like I had reached the end of a period of life, where the work was jumping about and pushing something new every time. I wanted to dial it back and create a language that was stable and deep.
I've always wanted to appear in a 3-D Movie, that's always been a goal of mine. If you appear in a 3-D picture you are a shoo-in for an Oscar. There's no competition.
I wanted to be a war reporter - scrabbling around, exposing things. I didn't want to go to university, I wanted to get a job, but Auntie Beryl said I should go to Oxford.