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I wanted to make a small movie about a guy and a girl on the beach, but then I thought, wouldn't it be cool if a werewolf was there?
Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.
I just really wanted to do art, except when I was taking those photographs of people I would make the clothes that I would photograph them in so I could control the whole thing.
Billy wanted me to stay a safe distance from the most important person in my life. It turned out that his concern was, in the end, unnecessary. I was all too safe now.
As a child, I actually wanted to be a lawyer. That was the goal. I didn't plan to be an author, and then even less, did I plan to produce movies. It all just happened.
I was struck by the effortless way they moved between musical styles, all the while managing to make each their own. It was instantaneous that I knew I wanted to work with them.
I did a handful of photo shoots and I never made any money for it just because I was trying to build a portfolio. I decided that that's not what I wanted to do.
The competitors, like Commodore and Kaypro, were all doing speeds and feeds, whereas Steve always wanted things like “What is the significance in the world? How might this change things?
I really wanted to go to architecture school but the demands of playing D-1 Collegiate soccer just take over so I tried to empathize architecture as much as I could.
I wanted to be a composer before anything else. And my sister was listening to Led Zeppelin in the other room! When I heard that, it was a game-changer.
Neither one of us could be sure we'd get our money back on this investment, but we just wanted to have company of our own for once because we were best friends.
I wanted to be a fifth grade teacher because my teacher was so important to me and was giving me the education that was going to take me through life and through this world.
I really wanted a guitar. As A little boy I used to tell people I was going to be a musician. They would humor me, and I'd make up thirty minute songs and drive them nuts.
[Sigmund Freud] just made people feel so neurotic about their lives. I mean, if you dreamt about a lampshade, it meant you wanted to be whipped by the local vicar or something.
Because the filming process was so organic and there was no script, the film [Dream of Life] was literally telling us what it wanted to be in the editing room.
Winny and I lived in a house that ran on static electricity. If you wanted to run the blender, you had to rub balloons on your head. If you wanted to cook, you had to pull off a sweater real quick
I wanted to know what happened when two people felt it. Would it divide the hurt in two, make it lighter to bear, the way feeling someone's joy seemed to double it?