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As a child I wanted to be a grown-up. I wanted to know everything - not that I like to talk about it. I hate intellectual conversation with intellectuals because I only care about my opinion.
I hated the company of other children. I wanted to be a grownup person, to be taken seriously. I hated the idea of childhood; I thought it was a moment of endless stupidity.
[Caine] "Interesting. Me, I've always wanted to know who my real parents were." [Sam] "Let me guess: you're secretly a wizard who was raised by muggles.
All good government must begin at home. It is useless to make good laws for bad people; what is wanted is this, to subdue the tyranny of the human heart.
My fear was not of death itself, but a death without meaning. I wanted my death to be something the people could relate to, a basis for further mobilization of the community.
Deadwood was a magical experience. It was an absolute culmination of everything Ive ever wanted to do as an actor as an artist, and I was enormously proud to have been involved with it.
We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
I had this attitude that it was going to take time for my work to grow. I had to develop skills to do what I wanted and I didn't really expect it was going to happen rapidly.
I wanted readers to be genuinely unsure as to whether she's telling the truth or lying. It meant making her partly sympathetic, and partly unsympathetic, which wasn't easy.
First I made a dress because I was pregnant and I wanted to be the most beautiful pregnant woman. Then I made a sweater because I wanted to have one that wasn't like anyone else's.
I formed the hypothesis that each of us could have achieved our objectives without the terrible loss of life. And I wanted to test that by going to Vietnam.
I wanted to write stories for myself. At first it was purely an aesthetic thing about craft. I just wanted to become good at the art of something. And writing was very private.
We didn't start Theocracy because we wanted to be cool like so-and-so and make money. Our songs aren't trendy, and our lyrics hopefully make people think about certain concepts in a new way.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
Normally when people ask me what I do I say I'm an actor, and that's what I always wanted to be and that's the way I approach work even when I'm directing it.
I think I learned a lot about not buying into a lot of hype. I wanted to be a kind of faceless entity; I didn't want to be Dhani Harrison and the Muppets or something like that.