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...I knew he would be dead, because Dally Winston wanted to be dead and he always got what he wanted.
When I was 15, I started playing first class cricket and always dreamt of being a Test cricketer, wanted to do something for the country, married in 1995, have 2 kids it's been great.
I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
I knew the past wasn't real. It was only an idea, and the thing I'd wanted to touch, to brush against, the feeling I couldn't name - it just didn't exist. It was only an idea, too.
When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic.
You should hear what my parents wanted to call me. It was between Brown Rice, Neon Hitch and Z. Ziggurat Zanzibar Zandorf. I'm not joking. Imagine fitting that on my passport!
My mother told me on several different occasions that she was livin' her dream vicariously through me. She once said that I was getting to do all the things that she would have wanted to have done.
I went as an observer, not a participant, for I do not think that I ever spoke. I wanted to understand the issues under discussion, evaluate the arguments, see the calibre of the men involved.
I was really into music. I started playing guitar also when I was nine. I wanted to be in the Beatles, even though John Lennon died the year I got a guitar and the Beatles broke up before I was born.
I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.
Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.
I always wanted to be a young mom, but generations of women have worked so hard so we can have a career and wait to have children. So I say carpe diem - take advantage of that.
I wanted to be a writer from my early teenage years, but I never told anyone. Writers, in my opinion, were god-like creatures, and to say I was striving to be a writer would be incredibly arrogant.
I wanted to be an author as far back as I can remember, mixed with occasional bouts of wanting to be a werewolf when I grew up. But mostly, when I daydreamed, it was about being an author.
You had to pick something like Blue Suede Shoes because it's the flagship of the Sun label, but then I wanted to dig down and find something like Rakin' and Scrapin'.
I wanted to do an acting role in a movie that had nothing to do with the music business or in which I would play a singer or a songwriter. When I act, I don't even want to be thought of as Ne-Yo.
I was a nerd academically. But I was also an athlete and a musician. I never wanted to be shut out of any situation. I think it was that more than anything.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
I'd like to know about some of the things that they teach down there, like building a lake. If I ever wanted to build a lake, I'd like to know how to do it.
With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.