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She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
I told her I wanted a plastic surgeon to sew me up, and I wanted her to freeze my ovaries, so I could harvest the eggs and have a biological child through a surrogate.
My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good.
Second, there are so many magical places in books that you cant go to, like Hogwarts and Middle Earth, so I wanted to set a story in a place where children can actually go.
Everybody was on the same page. Nobody has really gone out there on a different musical journey. When we got back together again, we all wanted to do the same kind of music.
That's the worst of growing up, and I'm beginning to realize it. The things you wanted so much when you were a child don't seem half so wonderful to you when you get them.
The success of the second 'Austin Powers' caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.
I got to realizing that I wanted to record, I wanted to experiment. And doing those same old songs the same old way - I said, 'I think it's time for me to have some fun.'
I never really had that father figure to look up to. I think that's the reason I'm so ambitious. I felt like I wasn't appreciated as a child so I wanted to prove my worth as an adult, as an actor.
I had met a young lady who wanted to be in the theater. It was Judy Holliday. She had somehow fallen down the steps of the Village Vanguard, which still exists today.
I wanted to do a movie about being really good at something, yet being socially awkward and not as advanced in your personal life as you are in your creative life.
Our attempts to trust others will often be frustrated, but that's because God never wanted us to trust others. He wanted us to love others but to trust him alone.
I, of course, wanted to do something with Drew Barrymore. Please. So we were reading scripts back and forth and then we found this script, Fever Pitch...
My father was a film-maker. He always said he wanted to go like Humphrey Jennings, the legendary director who stepped backwards over a cliff while framing a better shot.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
In this perilous world, if a black boy wanted to live a halfway normal life and die a natural death he had to learn early the art of how to get along with white folks.