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All I wanted to do was read, to be told stories. Stories were full of excitement and emotions and characters that entertained and often inspired.
A man was like a child with his appetites. A woman had to yield him what he wanted, or like a child he would probably turn nasty and flounce away and spoil what was a very pleasant connection.
AIDS was one of those diseases that a lot of people tried to claim ownership over, and especially as someone who was, fortunately never HIV positive, I wanted to avoid any appearance of doing that.
I wanted to finally feel better about understanding. I painted my wife because I wanted to understand her. I can talk to her, but I didn't understand why I was so compelled.
I started getting afraid of dying. I don't have any religion and I wanted to understand something about these greater powers without anthropomorphizing it.
Just trying to get to know what director Bill Condon wanted. He's a great director and knows exactly what he wants. He knew every lyric to every song; knew where a handicap was.
I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
I think people tune in to watch a football game because they want to watch a football game. If they wanted to watch a stand-up comedy show on HBO, that's where they'd go
I wanted everything to stay the same, but you wanted things to be better, it's just...going to be a whole lot worse for awhile first. And I think I knew that, and I was scared of it." - Marcus
Three weeks ago one of my dreams came true. I finally got to see something I always wanted to witness live. I finally saw someone get hit by a car... Nailed!
As a boy, I wanted to be the Peruvian Diego Maradona. Sadly, Peru hasnt made the World Cup since 1982, so I guess I did well to choose something different.
As a kid I wanted to write science fiction, and I was never without a book. Later I really got into being a scientist and never thought I'd be writing novels.
I have an English literature degree. I wanted to be the next great American novelist from a very early age, but I put it aside for a while, because I got very realistic at one point.
When I left Iowa, I definitely never wanted to stand in front of a group of academics again and see if they approved of me. I made up my mind to take my work to the actual reading public.
I've always just been really interesting in humans, whether I knew it or not, back then. To be able to recreate that and express that was definitely something I wanted to do.
I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
Thankfully, I was able to go to Marquette University and get my education, a Catholic education, so I could please my family, because I think they wanted me to be a priest.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.