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Every time I listened to Lux Radio Theatre, I wanted to vomit.
It was in the Theatre St. Philippe (they has laid a temporary floor over the parquette seats) in the city we now call New Orleans, in the month of September, and in the year 1803.
Rather than disliking theatre, I've expressed a preference for television because it tends to deal in its small way much more with issues and is able to reach a broader church of people than theatre.
For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
I want everyone to feel as much as possible as if they inhabit the same space. They more fluid the relationship between actor and audience, the better.
Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.
In 1968 the Arts Council managed to get a grant from the treasury to buy up a lot of derelict touring theatres and put them back in the hands of the local authorities.
My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theatre and all such nonsense, you know.
The real thing is, you should be seeing these plays in the Theatre. That's what they were written for. That's where the enjoyment is. Studying them is no enjoyment whatsoever.
The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.
The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
When the sun sets beautifully, other beauties rise. Nature is a theatre; when one great player leaves the scene, another great player immediately enters. The play always continues excellently.
What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story.
The theatre only knows what it's doing next week, not like the opera, where they say: 'What are we going to do in five years' time?' A completely different attitude.
You learn more discipline in the theatre than you do in movies or TV. You're on stage every night and you have to sustain your energy level tor several hours.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.
The society girl meets more dangers than the girl on the stage. There is more danger at a tango tea than in the theatre. The actor is less dangerous than the dancing master.