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Just watching an actor in front you really provokes you in such a sudden, unexpected way. You can't ask for anything more from someone you're working with than that.
Often, I go and see films where I can see the beats coming. So, if I read something where I don't see the beats coming and it takes me somewhere unexpected, that's a great thing to build upon.
For every woman who's ever wondered about the path not taken, Fenton and Steinke mine—with tremendous humor and insight—the mixed blessing of unexpected second chances.
It is so often the odd, the unexpected, the apparently trifling, that stamps itself upon the memory for ever, while much more memorable things pass away like a breath of wind.
As the audience, I always love to get to a point where, surprisingly, I find myself in a secret friendship allegiance with the characters that are unexpected.
I've reached an unexpected point in my life where I no longer have the passion that I once did for the company, for the games and for the challenge of creation.
Listening to your own mind gives you "good reasons" why you should be fearful over unexpected events is just like being friends with someone who thinks it's funny to find new ways to hurt you!
I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.
Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
I also read about Heathcliff's unexpected three-year career in Hollywood under the name Buck Stallion and his eventual return to the pages of Wuthering Heights.
To become "memorable" do things that are somewhat unexpected. Dress, or talk, in ways that draw attention. And mostly, don't follow all the "rule for behavior" so closely.
The only thing I can count on daily is the unexpected. I usually try to start my day with a run before I even turn on my computer and clog my head with things to be done.
I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.
There is something that happens when we leave the land and enter the ocean. It's unexpected, the environment feels strangely welcoming. The ocean almost feels like... home.
I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.
You know, I've learned that sometimes you can only see what you want to see by changing where you stand. And standing somewhere unexpected can lead to unexpected discoveries.
I think beauty is youth; it's energy. I'm attracted to imperfection, style, confidence, and experimentation. So beauty, to me, is really a lot of things. It's kind of unexpected-what surprises you.
In fact, not knowing is a necessary condition of writing for me. I don't know how else to reach something unexpected. I have to be as in the dark as my characters.