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You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
Just one time before I turn into the villain of this piece, just one time before I become the fourth and final Unseelie prince, I want to be her Highlander. And her hero.
I think the first villain that I ever played was on Stargate. I was this superior being that would take over a human host and believe that he was the most superior being in the universe.
You don't encounter anyone who is not hero or villain of their own story. If it's man vs. self, you have to explore the ways each character is villainous and heroic.
I'd killed him in the end, but revenge only makes things all better in the movies. In real life, once the villain is dead the trauma lives on inside the victims.
In the fairy tale you mentioned last night, I would probably be the villain. But it's possible the villain would treat you far better than the prince would have.
I would think that would be really liberating to play like a real cad or a villain or something like that, and that's something I haven't gotten the chance to do a lot.
I'm not for the villains, I'm only for the princesses. I mean it's fun to have Jafar [Aladdin cartoon villain] or whatever; I didn't even remember their names 'cause they're not important to me.
You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.
Blame is especially useful in situations in which there is no apparent villain-those moments that prove, despite our advancement of learning, how susceptible we are to high winds and wet roads.
If a corporation shuts down and leaves, liberals don't care. It gives them an enemy, it gives them a villain, they love to criticize them and it's got people in need, people out of work.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.