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It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way.
I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
Image is everything, and the voice or the idea or the song is hardly anything at all. Half the time the person isn't even doing the singing. I'm a bit cynical about this [music] business.
For one thing, I teach my students what my teacher for twenty years, Paul Gavert, told me, 'The voice follows... the voice follows everything about you... who you are.
And of course, when you see your brother in the toilet bowl...there's a little voice that say, 'I wonder where he would go...'...if it hadn't been for his head.
Lip-synching?! Let that be a lesson. If you are in Washington, D.C., and you open your mouth and another voice comes out, it better be the NRA, an oil company or a bank.
If you want anybody to have a different voice, you really have to visualize and hear the voices of all these people. Sometimes when I write with specific actors in mind, it helps.
You have to fight. You know, you don't want to fight, but you have to fight to make your show your own, to make your voice be heard. You just have to sometimes.
When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track.
I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
Each day, I would feel new wisdom and new intuition and I would follow that. Most everything I was doing was coming from that voice in my heart, which was affirmed by the ancient texts.
I don't like the sound of my own voice. And, for people I don't know, their impression of me is what they read on the internet, and they're so far off a lot of the time.
Seth hustled over. “What’s the password?” “Passwords are for sissies,” Warren’s muffled voice responded. “Works for me,” Seth said, unlocking the door and opening it.
Sing!" Grandpa Smedry yelled, his voice echoing down a hallway to the right."Sing!" If he breaks into song I think I might have to strangle myself... I thought, cringing.
The character of Brent Spiner. We certainly collaborate on the concept of that, but he basically writes the script, then it's sort of a combination of his voice and my voice.
I think one of my pursuits over the years is trying to answer the question of 'what else can you do with a voice other than stand in front of a microphone and sing?'
Twitter represents a collective collaboration that manifests our ability to unconsciously connect kindred voices through the experiences that move us. As such, Twitter is a human seismograph.
Sweet harmonious sounds give exquisite joy to human beings capable of appreciating music. I delight in hearing harmonious tones made by the human voice, by musical instruments, and by both combined.