Voice Quotes

Ever of thee I'm fondly dreaming, Thy gentle voice my spirit can cheer.

A voice is in the wind I do not know A meaning on the face of the high hills Whose utterance I cannot comprehend. A something is behind them: that is God.

For that great Love speaks in the most wretched and dirty hearts; only the tone of its voice depends on the echoes of the place in which it sounds.

Beauty of expression is so akin to the voice of the sea.

The song seraphically free Of taint of personality, So pure that it salutes the suns The voice of one for millions, In whom the millions rejoice For giving their one spirit voice.

When Maester Aemon heard him sing, he said his voice was honey poured over thunder.

Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: 'Oh, I should tweet about this.'

[T]he people of Iraq have spoken to the world, and the world is hearing the voice of freedom from the center of the Middle East.

When a child is in crisis, parents should have a role and a voice. They should be the first to help, not the last to know.

This campaign not only hears the voices of the entrepreneurs and the farmers and the entrepreneurs, we hear the voices of those struggling to get ahead.

I am again called upon by the voice of my country to execute the functions of its Chief Magistrate.

I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.

Altruists, with thin, weak voices, denounce Christ as an egoist. Egoists (with even thinner and weaker voices) denounce Him as an altruist.

Tell me." Edward had to raise his voice a little. "Do you live by the principle that what people don't know can't hurt them?" "No," Harper replied. "What people don't know can't hurt me.

There are some songs we do, like "Last Chance," I love it! But sometimes you just don't like your voice on certain things.

I collapsed to my knees and looked up at the predawn sky. "I hate you," I said softly."I love you," the voice whispered back.

You have to get to know your voice and its strengths and play on those. It took me quite a long time.

If you follow the voice inside you, it does give you guidance.

...When we lift our voices tiny molehills of difference become great mountains of conflict.

There is too much of criticism and faultfinding with anger and raised voices.

What does it feel like to get shot?" "I don't recommend it," said Nellie in a controlled voice. "Chocolate is definitely better.

I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view.

On an animated movie, I'm learning as I go. There are so many details in animation. Doing the voices was the easy-part. Doing live-action, you have to be on the set, every day.

I do love to sing. Had I a longer set of thigh bones and a sweeter voice, I should have loved to be a performer.

I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.

I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything.

I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.

Dialogue in fiction is always written to be read in silence. The page is the limit. Dialogue on stage and on the screen is meant to be spoken. The voice is the limit.

I always try to hit a few areas when I'm making a record; I want the sounds to be experimental and exploratory, I want the drumming to be distinctive, and I want my voice to be able to shine through.

The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.

I think as an actor, or any artist, you move with your moods and you express what's going on for you, and you answer to that voice within that's calling for particular things.

I think the most clear, direct way to empowerment is to really know yourself and to really use your voice and to not be afraid of other people's reactions.

When I got to L.A. I woke up and I was losing my voice because of the dry air. It was like, "Oh my god, this is going to be Joe's Pub all over again."

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

It's not really difficult to go from one voice into the next.

I'm not very happy idle. There's always this voice in my head that says, 'I should be writing.

I used to do little sketches into my cassette tape recorder when I was a little boy. I would just turn it on and just start doing voices and characters. I just loved it.

My protagonists are my mother's voice and the mind I had when I was thirteen.

In Cuba I have always understood harsh treatment of dissenting voices as stemming from a "siege situation" imposed upon it from outside. And I believe that to a certain extent that is true.

The voice of a whole people goes up in the silent workings of an institution.

I like to jump some rope and swing kettle bells to get my blood pumping. It makes my voice sound better, and it clears my head.

I took speech training. I took a few voice lessons in college.

You have to do real acting, not just do a voice.

I think it's amazing to have one writer write every episode of a series. It's very rare, I think. You get a voice that continues.

Her voice was like a line from an old black-and-white Jean-Luc Godard movie, filtering in just beyond the frame of my consciousness.

The world is full of more interesting things than my voice.

The voice is not only indicative of man's character, but it is the expression of his spirit. Other sounds can be louder than the voice, but no sound can be more living.

That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

It's time for women to make their voices heard. Their silence on the subject of war and peace is deafening.