Voice Quotes

I consider myself to have one of the greatest voices in the industry.

Japanese affection is not uttered in words; it scarcely appears even in the tone of voice; it is chiefly shown in acts of exquisite courtesy and kindness.

I used to write as an escape. There's no escape. There's just me sending my voice into the dark, waiting for an echo.

You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.

It's like the most profound accomplishment that I've had in my career, that I can finally be that voice.

I wrote an entire movie [Man up] about how important I think voices are, so it was funny.

His gaze slammed into hers. 'I love you. Never forget that. Never forget...me.' He loved her. Emotion bubbled up in her throat, leaving her voice completely wrecked. 'Never,' she rasped.

For me, Twitter has given me a direct line to the world - it gave me an opportunity to be like, "This is my voice.

Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food and that inspires me.

Books have always been to me like a kind of embalmed mind. The dead may be scattered, and who can find them, but their voices live in the library.

Goddess” he said. Her voice floated to us. Yes, Child.” Will I see you again?” Just her voice now, young and old at the same time. “In the face of every woman you meet

Gabriel's voice can reach me anywhere. Even in a hurricane.

There was nothing mean about his voice. In fact it was almost too nice. Like she was too dim to grasp whatever was so obvious to him. Which made her absolutely furious.

Are you okay?" Daniel whispered, his voice soft, his lips so close to hers. "Yes." She could feel the beating of his wings. "You caught me." "I will always catch you when you fall.

Now lemme get this straight," she said in a throaty, nasal voice. "You put the lime in the cocanut and drink 'em both up--whoa, long faces. What am I interrupting?

And books are such an empowering way to give voice to some of these kids who aren't yet ready to tell their story. Or don't know what their story is, or are trying to figure it out.

I screamed until my voice dried up in my throat. We all did. All of us in Ward Six, all of us forgotten, left to rot.

He’s speaking in the tone of voice that everyone uses when they’re about to break you apart. Gentle—kind, even—like they can make the news sound better just by speaking in a lullaby voice.

"Kent?" I say, and my voice seems to have to rise from inside the fog, taking forever to get from my brain to my mouth. "Yeah?" "Promise you'll stay here with me?" I say. "I promise," he whispers.

I think of the quietness of Julian's voice as he said I love you, the steadiness of his rib cage rising and falling against my back, as we sleep.I love you, Julian. But the words don't come.

We reveal something of our nature when we sing, something that can be disguised in our speaking voice.

I don't think their voices are going to change at all. And it's what Democrats have always been saying. We are stronger together, but we're going to fight like heck if anybody tries to divide us.

Having a voice unlike another means you've "found yourself" as a writer.

I'm an only child and an American and am wholly in favor of uniqueness of voice in everything, especially music and writing.

America's all about the various voices, right? When we all speak with a common voice we verge on fascism, which is militaristic, and fundamentally anti-American.

The Natural Step is a clear voice in the commotion.

I love my voice. But I'd be the first one to make a criticism of it, so I'm not the best person to critique because I'm pretty hard on myself.

I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.

I didn't have to wait six years to get my show on the air, worry that someone else had a similar idea, or wait around for notes that took my voice out of the show.

I'd always been quite quiet growing up, and singing was a way of having a voice.

Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!

The more competition and the more voices - that's why I love bloggers and anything else the Internet can produce in the way of new news voices.

Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word.

The voice thing is a blessing that I was given. I've had opportunities to do voice work of all kinds. It was something that was given to me and I was able to make good use of it.

Don't laugh at the voice of the stars. They are far away, their rays are light and pale, and we can barely see their sleeping shadows, but their sorcery is stern and dark.

I also have to support my speaking voice by sitting in a way that engages the diaphragm in the way I would for singing.

I know from vast experience that fear talks a lot louder than courage. I need to listen to that other voice inside me, that faint one that's struggling to be heard.

Maybe the greatness we heard in [Richard Manuel]'s voice, that catch in it, came from all that pain. To this day, we don't really know.

Come, hearken then, ere voice of dread, with bitter tiding laden, shall summon to unwelcome bed a melancholy maiden! We are but older children, dear, who fret to find our bedtime near.

A poem is like a score for the human voice.

When I write, I usually follow my most inner voice, sometimes called stream of consciousness.

I studied voice when I was at school, and I was in the chamber choir, and I studied music theory as well, so I guess a lot of it came from being taught at school.

I had one family that used a lot of yelling and screaming, and that was very normal. Another side of my family, nobody would raise their voice at all.

When I was teeny tiny, I definitely had a voice that didn't quite match the way I looked at five.

Yiddish is the voice of exile, the tongue of ghettos, but I'll shed a tear when it joins ancient Greek and dead Latin. For gossip and insult, you can't beat Yiddish.

I enjoy playing characters where I get to sort of change my look, my voice. It's not about what she wears, it's about what she's got inside.

I love to work with Julia [Holter] because our voices have a similar timbre, and she's very unique. She finds very avant-garde harmonies that I adore.

Much more than a 20th-century village storyteller, Cees Nooteboom stands as an impressive and inimitable voice among contemporary writers.

Ah, there’s the governess voice. All stern and disapproving. It makes me feel like a naughty schoolboy.

Then he raised her enough to whisper in her ear, and while his voice was tender, his words were savage. "You're my woman, and no man or God or ghost will ever take you from me.