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When many different voices send you in different directions, you can't listen to your own.
I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
While it's a fact that a voice begins with natural talent, any talent must be nurtured, cajoled, wrestled with pampered, challenged, and, at every turn, examined.
Rose you can't go." This time the sadness in Lissa's voice was mirrored though the bond, flooding into me. "It's not that Dimitri didn't ask to see you. He asked specifically not to see you.
I thought she'd make some comment about the bloodthirsty gods chasing us, but when she finally found her voice, she said, "That boy kissed you!" Leave it to Liz to have her priorities straight.
My stomach churned. The monster had mimicked Thalia perfectly. If I'd heard that voice in the dark, calling for help, I would've run straight toward it.
I could hear hopefulness in her voice, but also doubt. She was waiting for me to admit the obvious: I’d forgotten. I was toast. I was boyfriend roadkill.
I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.
Voices of Transition educates, opens minds to new possibilities and presents a new vision of how our food system could be. As a historic transition unfolds, this film is a very powerful tool.
The minute you have more than one voice, you have more possibilities opening up. You have all the molecules in all of those bodies and their make up interacting.
John Scalzi is a fresh and appealing new voice, and Old Man's War is classic SF seen from a modern perspective—a fast-paced tour of a daunting, hostile universe.
And the true realism, always and everywhere, is that of the poets: to find out where joy resides, and give it a voice far beyond singing. For to miss the joy is to miss all.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.