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I hope 'The Voice' has a fifteen-year run, don't get me wrong. But I come from nothing, and maybe it's the Irish in me, but my attitude is always like, 'They'll figure me out soon.'
Spielberg read the 'Understudy' and decided that was the voice he wanted to write 'Smash.' He wanted a story that had humanity and humor and high-stakes dreams.
You should know that I've been hearing-impaired, not quite since birth, but I've been wearing hearing aids since I was 13, so I'm very conscious of the difficulty of voice communication.
I've established a certain voice over my albums. It can be an obstacle, but in the end, I think it's a strength, because I can build upon that voice, which is ultimately very much mine.
People will come up to me and try and be secretive and say, 'Can you do the Gollum voice for me?' And I'm like, 'Are you kidding? It's 8:30 in the morning on the Victoria Line.'
My advice would be to write what is most personal and specific to your experience or your life. And your voice will emerge and because of its specificity, it will be universal.
My biggest fear is that I'm not good enough. I have this voice in my head that I've been battling for years that says, 'You're not really talented enough. You don't really deserve this.'
'Top Gear' changed people's perceptions of me. I've had much more positive responses from my TV appearances than written articles. And I have the weirdest voice.
You must trust yourself more than you trust others. Pay attention to your inner voice - it will tell you if how and in what you are investing is right for you.
I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
My mom actually had a band called Six Pack - even though there were seven of them - who went around Chicago performing popular songs. Her voice was like Gladys Knight mixed with Aretha Franklin.
My most memorable recognition story was in Venice, Italy. My fiance and I were renting a car, and I was recognized by the person standing behind me by my voice. I thought that was hysterical!
It was through poetry I learned just to appreciate my own voice and to not think of my voice in terms of what it needs to be able to do, but what it can do.
Let there be a door to thy mouth, that it may be shut when need arises, and let it be carefully barred, that none may rouse thy voice to anger, and thou pay back abuse with abuse.
I do remember vividly sometime after puberty when I'd answer the phone at home and the callers began to say, 'Hi, Bill!' That's when I knew Dad and I had the same voice.