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At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.
I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.
I was going to strive at something that I loved to do. And I didn't care what the outcome was; I wanted it to be something successful, I wanted to move forward.
Islam does give human dignity, certainly. The point I wanted to make is that it is great foolishness to try to impose our notions of democracy. They have their own traditions.
At an early age Jesse often said he wanted to be a soldier, and before long he was one. He was there with his military brotherhood, fighting terrorism there so we wouldn't have to fight it here.
I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.
You don't have that much choice in your life, which is one of the big lessons I've learned. I was going to be a designer whether I wanted to be a designer or not. So there I was.
You have to understand how bad I wanted to be a comedian, how much I loved doing it. I still can't believe I get to do this for a living and have people come up and want to see me.
I wanted many of the poems to have long legs. At first I was calling them clothespin poems, before I knew what I was doing. The lines seem pulled on either end, tight and taut against the wind.
What I wanted to try and figure out was, okay, in contemporary 21st century life the alienation between the self and the land around you or the self and even the urban landscape. You name it.
So many reality shows are scripted and create this fake drama, and it's a bunch of bull. We wanted to do something real and something wholesome and something that's focused on positive family values.
My guess is that the editor [Cincinnati Post] wanted his own Jeff MacNelly (a Pulitzer winner at 24), and I didn't live up to his expectations. My Cincinnati days were pretty Kafkaesque.
I really don't think that Detroit was any different than New York of Boston or Philadelphia. Kids always wanted to listen to music outside because that's where they hung out with their friends.
People have always wanted to be recognized, and that's human nature. But people used to want to be recognized for their accomplishments, and now they simply want to be visible.
I would like to believe that people knew what they were fighting for and why they wanted a revolution, and exactly what it was within that they didn't like.
We wanted to wait until the music felt right. We didn't want to do it, just to do it. We didn't want to do it for money, I guess, is the thing that would have just bummed me out so much.