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Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
The poet is a bird of strange moods. He descends from his lofty domain to tarry among us, singing; if we do not honor him he will unfold his wings and fly back to his dwelling place.
Poems not only demand patience, they demand a kind of surrender. You must give yourself up to them. This is the real food for a poet: other poems, not meat loaf.
The job of the poet is to render the world-to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
To be able to write a play a man must be sensitive, imaginative, naive, gullible, passionate; he must be something of an imbecile, something of a poet, something of a liar, something of a damn fool.
The poet sees better than other mortals. I do not see things as they are, but according to my own subjective impression, and this makes life easier and simpler.
And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is a woman's whole existence.
Of all the arts the living of a life is perhaps the greatest; to live every moment of life with the same imaginative commitment as the poet brings to a special field.
The poet may say or sing, not as things were, but as they ought to have been; but the historian must pen them, not as they ought to have been, but as they really were.
When the Negro musician or dancer swings the blues, he is fulfilling the same fundamental existential requirement that determines the mission of the poet, the priest and the medicine man.
Walt Whitman and Emerson are the poets who have given the world more than anyone else. Perhaps Whitman is not so widely read in England, but England never appreciates a poet until he is dead.
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.