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A writer lives, at best, in a state of astonishment. Beneath any feeling he has of the good or evil of the world lies a deeper one of wonder at it all.
Moving around is good for creativity: the next line of dialogue that you desperately need may well be waiting in the back of the refrigerator or half a mile along your favorite walk.
As writers go, I have a skin of average thickness. I am pleased by a good review, disappointed by a bad. None of it penetrates far enough to influence the thing I write next.
I think my dyslexia was a vital part of my development because my inability to read and write meant that I had to find knowledge elsewhere so I looked to the cinema.
I can't help but to write, I have a inner need for it. If I'm not in the middle of some literary project, I'm utterly lost, unhappy and distressed. As soon as I get started, I calm down.
I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
But if writing about people who are not yourself is illegitimate, then the only legitimate work is autobiography; and as a reader and a citizen, I don’t want to live in that world.
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
Long patience and application saturated with your heart's blood-you will either write or you will not-and the only way to find out whether you will or not is to try.
... And the only way to find that honesty is to not overthink it. For your writing to come alive--to be multi-dimensional--you must barter away some control.
Whether a character in your novel is full of choler, bile, phlegm, blood or plain old buffalo chips, the fire of life is in there, too, as long as that character lives.
Practise, practise, practise writing. Writing is a craft that requires both talent and acquired skills. You learn by doing, by making mistakes and then seeing where you went wrong.