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Read deeply, not to believe, not to accept, not to contradict, but to learn to share in that one nature that writes and reads.
What I do believe is that there is always a relationship between writing and reading, a constant interplay between the writer on the one hand and the reader on the other
And not only did this great consolidated ecclesiasticism assume to lord it over men's earthly treasures, but they lorded it over men's minds, prescribing what men should think and read and write.
We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
A mixtape is for the street, it's something you without necessarily thinking about it, because you have to stay in the game. It's like writing an e-mail saying hello to your friends.
It is the melody and the rhythm that are by far the most important and then words and imagery and stuff, story bits will start to stick to a melody and that is the way I write.
I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.
I am not a chess historian - I myself am a piece of chess history, which no one can avoid. I will not write about myself, but I am sure that someone will write.
I hear Jerry Falwell every Sunday here talking about the devil and Hollywood. . . . I'm gonna write him a letter. Hollywood wasn't built on filth and dirt - it was built on talent.
Songs will always become a story in some way. I think it's my strongpoint as a writer musically. I don't shy away from it. It's not really an effort. It's how I write songs.
There are certain families whose members should all live in different towns - different states, if possible - and write each other letters once a year.
I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
My writing arises out of erotic impulse toward an other: it is an act of love. And I want terribly to be loved in return, as a sign that I have loved well enough.
I wrote my first book when I was 22 years old. I have a way with words and I love to write. I can write without getting writers block so I knew, it was a gift.
I've always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
New dramatic writing has banished conversational dialogue from the stage as a relic of dramaturgy based on conflict and exchange: any story, intrigue or plot that is too neatly tied up is suspect.