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The writer's intention hasn't anything to do with what he achieves. The intent to earn money or the intent to be famous or the intent to be great doesn't matter in the end. Just what comes out.
I don't know what any of my songs are about. I don't sit down to write about anything. They're about whatever you want. I don't pick subjects. I just start.
We are all looking for something of extraordinary importance whose nature we have forgotten; I am writing the memoirs of a man who has lost his memory.
I have been received more warmly by Everton than I have by Liverpool. It is scandalous that I should have to write these things about the club that I helped build into what it is today.
Take some wood and canvas and nails and things. Build yourself a theater, a stage, light it, learn about it. When you've done that you will probably know how to write a play.
I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.
I was addicted to hacking, more for the intellectual challenge, the curiosity, the seduction of adventure; not for stealing, or causing damage or writing computer viruses.
Frontiersmen good and bad, gunmen as well as inspired prophets of the future, have been my camp companions. Thus, I know the country of which I am about to write as few men now living have known it.
I love the writing. I love the idea of typing and seeing it on the computer and printing it out myself and, you know, moving sentences around. I like that.
Why write if this too easy activity of pushing a pen across paper is not given a certain bullfighting risk and we do not approach dangerous, agile and two-horned topics?
Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.
We're past the age of heroes and hero kings. ... Most of our lives are basically mundane and dull, and it's up to the writer to find ways to make them interesting.
Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound.
The most original of authors are not so because they advance what is new, but more because they know how to say something, as if it had never been said before.
If you gather a lot of stuff, then you write it, write in scenes with dialogue. Somewhere in the middle, rising from all this research like strong metal towers, is your opinions.
There is something magical about putting a problem in writing. It is almost as though by writing about what is wrong, you start to discover new ways of making it right.