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I always thought that writing poetry was in itself a political act.
When I began, the guitar was en-closed in a vicious circle. There were no composers writing for the guitar, be-cause there were no virtuoso guitarists.
As a matter of writing philosophy, if there is one, I try not to ever plot a story. I try to write it from the character's point of view and see where it goes.
I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.
The people who encouraged me weren't necessarily writers or readers themselves. They were people who were just pleased to see me devote my life to reading and writing.
I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.
I'm a black American playwright. I couldn't be anything else. I make my art out of black American culture; they're all cut out of the same cloth. That's who I am; that's who I write about.
Characters aren't a fling. They aren't a one-night stand. Getting to know them takes time and hard work. It takes excessive free writes and multiple experiments.
I don't believe we can get very far, with leaders who write off half the nation as a bunch of victims who never take responsibility for their own lives.
I'm widest awake as a writer doing something new, engaged in a process I'm not sure I can finish, generating at the edge of my powers. Some people bungee jump; I write.
You're writing it is how you feel. And when you're finished you put your signature on it and you mail it off and that's it. And that's how "Stand By Me" was really.
Similarly, although we use prepositional phrases when we write, we apparently don't write more effectively when we can label our language in these ways.
But why wasn't I born, alas, in an age of Adjectives; why can one no longer write of silver-shedding Tears and moon-tailed Peacocks, of eloquent Death, of the Negro and star-enameled Night?
I'm writing a film. With our access to these powerful media, we're going to take over, because it's really disgusting what is put out there now to be consumed.
No writing is a waste of time – no creative work where the feelings, the imagination, the intelligence must work. With every sentence you write, you have learned something. It has done you good.
We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary.
Writing, I explained, was mainly an attempt to out-argue one's past; to present events in such a light that battles lost in life were either won on paper or held to a draw.