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People want to get immersed and lost in a world. They want to lean in and figure it out, and that's true of both of these shows. You don't know quite what it is, and that's great.
People don't want to listen to a celebrity tweeting about their charities and shows. That's why comedy writers do well - we put out little funny ideas.
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
If a huge number of people call for change, the government will have to react. If you want to avoid uprisings, or demonstrations, you need to respond to the peoples desperate need for change.
Sometimes I will tweet an interview I have coming up and ask my followers what questions they have for the celebrity. I feel that way I can really know first hand what people want to hear answered.
People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.
People are losing jobs, people need to be entertained, and I want to make movies that parents and children can look forward to seeing, that can become a kind of family ritual.
That makes entertaining television. That is the circus of American Idol . We go for the very, very best and the very, very worst. It's the boring people that we don't want to see on television.
People are mostly very nice, and I always say hello. I'm laid back, so I don't mind. I think if people watch the show and want to say hi, you've got to be nice.
A lot of people think I'm difficult to work with. It's not like I really want to do that much stuff, so it doesn't really matter. I guess I'm somewhat difficult when it comes to comedy.
My motivation is my desire to help people. If people want to have children and cannot in the normal way, and I can do something about it, then I will do so.
People don't care to read what they already think or what any people think - they know all that well enough. They want to know what they ought to think.
Many people think if you say "no" you just do this to negotiate a better deal, and they didn't understand that Daft Punk really meant "no" because they didn't want to do certain things.
I really don't like people that go on about getting followed around, I don't like it - there are people in the industry that don't wanna take everything that comes with it. I take it all.
You're working with other people and sometimes it doesn't work out the way you want, and sometimes you didn't realise what a mistake you've made until you see it projected.
People's attentions spans are getting shorter and shorter. I don't want to cater to that necessarily but, just for myself, it feels like more than 40 minutes of music is too much.
Sometimes I take a temperature of things just because everyone else does. Especially when I'm doing a play. I want to know what people are thinking, positive or negative.