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I never learned to read or write music. Never wanted to fool with scales. That was boring, forced. The music I heard was free - flowing.
Here I was into astronomy, and here into anthropology, and there I go into geology. It was much more fun to be able to research and write about whatever I wanted to.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
I know we loved each other, but distance can do strange things to people and before I was willing to tell you about it, I wanted to be certain that it would last
It had never once occurred to me that the paper I wanted to work for would not want me. Certainly I never expected to be rejected solely because I was a girl!
Our Lord wanted us to be Christ-like. Christ-like doesn't mean not having faults. It means that you do actually have a capacity to draw out the good that is in others.
I always wanted everyone to like me. I wanted the city of Pittsburgh to be proud of me. But my first few seasons, I could to count the number of people on my bandwagon on one finger.
I wanted all things to seem to make some sense, So we could all be happy, yes, instead of tense. And I made up lies, so they all fit nice, and I made this sad world a paradise
If we discovered that we only had five minutes left to say all that we wanted to say, every telephone booth would be occupied by people calling other people to stammer that they loved them.
I wanted it to provide an escape route, I wanted to make pictures that were fantastic and took you into another world, one that was brighter. I started off with this idea.
I wanted to make people think of a totally different way of living from that which we, educated people, live. I would absolutely not want anyone to find it beautiful or good without a thought.
Charity work shouldn't be bragged about. It's just something you're supposed to do...I do it because I feel like that's what God wanted me to do. It's as simple as that.
I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.
I remember riding across the Brooklyn Bridge about 12 times because they wanted me to keep up with the helicopter, and I said, "Can you have the helicopter keep up with me, my calves are burning!"
I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.