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As an audience member, I like the sound of something that's been written - I like it to sound written. And then, of course, you can't do it without the musicians who can play it.
People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.
I have the same fantasy every time I read a book I love, no matter who wrote it, no matter when it was written. That the author has written his book only for me.
I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.
We seem to live a culture that doesn't want blemishes. The vision of most beautiful models... airbrushed in order to be seen as perfect, infects our notion of how literature should be written.
Isn't it remarkable how everyone who knew [D.H.] Lawrence has felt compelled to write about him? Why, he's had more books written about him than any writer since Byron!
I've read books in school that were written by ideological rote - they were brainwashers. Therefore, any art, any literature, that has a clearly defined political goal is repellent to me.
I had a naiveté that I would remember the things that I had written already, but I was getting lost in the forest of my own ideas and having to find my way out.
Most written work is a conversation between the editor and the writer, that the writer essentially fulfills in public, and the editor provides the stage for that to happen as well as the prompts.
Many of my books are written from a female perspective. I rather enjoy the take that women have on the world, and certainly I enjoy the conversations that women have.
What I learned from doing The Graduate was it doesnt matter what the medium is... as long as the material is inspiring and the characters are well written.
I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.