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Your woodlot is, in fact, an historical document which faithfully records your personal philosophy.
Typically, historical black colleges and universities like Delaware State, attracted students who were raised in an environment where going to college wasn't the next natural step after high school.
It's really important in any historical fiction, I think, to anchor the story in its time. And you do that by weaving in those details, by, believe it or not, by the plumbing.
The supremacy of public opinion determines not only the singular role that economics occupies in the complex of thought and knowledge. It determines the whole process of human history.
In general, even if I'm dealing with a historical subject, I begin with invention rather than investigation, because I need to understand what is going to be the voice or the tone of the story.
How does photography serve to legitimate and normalize existing power relationships? ... How is historical and social memory preserved, transformed, restricted and obliterated by photographs?
Paradoxically, preserving liberty may require the rule of a single leader-a dictator-willing to use those dreaded 'extraordinary measures, which few know how, or are willing, to employ.'
I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.
This is what I believe: That we are not pushed from behind by the casual unfolding of historical necessity, but that we are in the grip of an attractor of some sort, which lies ahead of us in time.
The works of the creative spirit last, they are essentially imperishable, while the world-stirring historical activities of even the most eminent men are circumscribed by time.
The research in Ralph Keyes' The Quote Verifier is impressive, and each conclusion is like the solution to a real-life historical mystery. Who knew a reference book could be so entertaining?
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
All the important human advances that we know of since historical times began have been due to individuals of whom the majority faced virulent public opposition.
History teaches that when valuations are extreme, "mean reversion," a move towards historical norms, is likely. Once value stocks turn, the recovery can be fast and intense.
Modern society has not rid itself of religion, as it fondly believes; it has merely replaced the historical religions by a host of idolatrous cults struggling for possession of the soul of man.
The visual possibility of seeing the historical person (as opposed to the eternal Qur'anic man) on screen is arguably the single most important event allowing Iranians access to modernity.
The act of writing for the slave constituted the act of creating a public, historical self, not only the self of the individual author but also the self, as it were, of the race.
I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.