All we have to do to create the future is to change the nature of our conversations, to go from blame to ownership, and from bargaining to commitment, and from problem solving to possibility.

How do you change the world? One room at a time. Which room? The one you're in.

We must establish a personal connection with each other. Connection before content. Without relatedness, no work can occur.

Transformation comes more from pursuing profound questions than seeking practical answers.

The essential challenge is to transform the isolation and self-interest within our communities into connectedness and caring for the whole.

The shift in the world begins with a shift in our thinking. Shifting our thinking does not change the world, but it creates a condition where the shift in the world becomes possible.

Ones vision is not a road map but a compass.

The task of leadership is to be intentional about the way we group people and the questions that we engage them in.

If there is no transformation inside of us, all the structural change in the world will have no impact on our institutions.

It is a misuse of our power to take responsibility for solving problems that belong to others.

The price of change is measured by our will and courage, our persistence, in the face of difficulty.

It smelled pretty rank, but I was getting used to the smell of death, as much as anyone could get used to it.

The best way to secure future happiness is to be as happy as is rightfully possible to-day.

I JUST GOT THE CRAP BEAT OUTTA ME!!!

Opportunity, to statesmen, is as the just degree of heat to chemists; it perfects all the work.

To be really successful and win a title with a great club like Liverpool would be 100% one of the greatest things I could ever imagine.

Now you know how I justify my addictions—if I can pay less for it than I would at Wal-Mart, I get to have it.

When you have got military-style assault weapons and high-capacity magazines, they're intended for one purpose. And that is to inflict as much damage on human beings in as short as time as possible.

I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.

I grew up with the thought that I wanted to treat people the way I'd like to be treated, and I think if you do that, it's pretty hard to go wrong.

I have put off the past like a worn-out cloak.