Anger and desire for revenge can be a great motivating force. It's either that or you allow it to affect your confidence and that can be crippling.

There is nothing like being on stage.

I used to love stage above all, but that was when I was a single man. As I get older, the time commitment gets harder for theatre.

It's hard to remain patient when it seems so debilitating to do so. The balance comes with staying ambitious while being patient.

A lot of people just capitulate and say, "Well, that's just the way things are." I think that can be deadly for creative people.

Working with my hands keeps me sane.

I am an old school sort of syndicated cartoon watcher. I'm a big fan of Voltron, too.

You think you know it, but you always find out new stuff.

I depend on my family and friends a lot. I have a group of people I'm always honest and current with. I try to get through pain and not go around it, it always ends sooner that way.

Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.

Doing an experiment is not more important than writing.

Galen Clark was the best mountaineer I ever met, and one of the kindest and most amiable of all my mountain friends.

I live in Sydney now. I came here for the show and never went home - I do like it, it's a big change... it's a big city, it's very fast.

The animadversions of critics are commonly such as may easily provoke the sedatest writer to some quickness of resentment and asperity of reply.

A big part of doing your work is defending your time and your attention so you can do your work.

I was always Luke because I had blond hair, and my mate Stu was Han. Han was the cool one. The Jedi were never the cool ones.

Books are not men and yet they are alive.