As a producer you can be more objective about the songs because you didn't write them.

I don't think anyone wants to do the same thing over and over again.

My songs, well, they are sad, but in all of them the person singing them - me or whoever - is actually still trying and hasn't given up yet.

I think one of the best things you can do is write really sad songs that touch some semblance of... I guess 'hope' is the right word?

I don't really need to appeal to some stockbroker, and I always sort of root for the underdog. I probably consider all that when I'm writing, but it's not in the forefront of my brain.

I think you just have to have some rapport with the song.

It's hard to write any good song. It seems more rewarding, or maybe just easier, to write sad ones.

I don't like to think about stuff that's boring.

In music, you learn a lot of things when you don't know what you're doing.

A single course of studies for all progressive schools is out of the question it would mean abandoning the fundamental principle of connection with life-experiences.

In passing, also, I would like to say that the first time Adam had a chance he laid the blame on a woman.

Good ideas are common - what's uncommon are people who will work hard enough to bring them about.

Sweden is a small country and, well, our family's pretty prominent in that world, I guess. And I really didn't like the sound of just being 'the fourth acting Skarsgard.

And over your unconsecrated head you'll hear the howling wolves lament their fate and yours the livelong year.

...everyone's life is different, and everyone's journey is different.

We haven't any and you're too young.

Men become cannibals of their own hearts; remorse, regret, and restless impatience usurp the place of more wholesome feeling: every thing seems better than that which is.

Friendship is not always the sequel of obligation.

He who does not prevent a crime, when he can, encourages it.