Come and take your seat, Lady Dorina.

Pritkin and Mircea mixed like oil and water, only not so well.

I wasn't entirely sure, but a polite John Pritkin might be a sign of the apocalypse.

He had the look of an atheist who’d just had a visit from God: stunned, disbelieving and faintly ill.

He wasn't that good looking, he had the social skills of a wet cat and the patience of a caffeinated hummingbird

There are things we want, and things we may have.... Sanity lies in knowing the difference.

And why not?” “You know why! This is a bad idea.” “Perhaps I like a challenge.” “Perhaps you’re a glutton for punishment!” “Perhaps I am in love.

Fresh blood at midnight isn't red. It's a purplish black that easily blends into the shadows.

We're going jogging." "I don't run for recreation. I run when someone's after me with a weapon." "That can be arranged.

Prevarication, how divine! I always did get along better with sinners.

No they called it the Codex Merlini because it was written by a guy named Ralph.

And I love Evander Holyfield to death!

I'm learning how to live in the present and be grateful for what's working rather than look for the 'what's not working' piece.

I can tell you that what you're looking for is already inside you.

People really don't have to give you anything, so appreciate what people give you. And just don't let that go to your head, whatever it is they give you.

Frankly, I've come to feel that there are two kinds of people: those who act like thermometers and those who act like thermostats.

The place was so British, I wouldn't have been surprised if the mice wore monocles.

'Tis the temper of the hot and superstitious part of mankind in matters of religion ever to be fond of mysteries, and for that reason to like best what they understand least.

I love children and I love men, but I can't commit to either for the rest of my life.

Anybody who wants to be an ambassador, wants to pay at least $250,000.

The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.