Each project changes you a bit.

Iceland, I'm in love with that country, the people are incredible.

The best people to have power are the ones who don't want it.

I love acting and I know that's a cliché, but I didn't really, I was very naïve when it came to the whole being recognized thing.

When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.

I love going out. I love partying.

I just don't know anything about fashion.

Politics is a game and a profession. It doesn't really serve the people the politicians are supposed to serve.

You find with the really great actors, the ones you really admire and look up to, very often they're very giving, generous, warm people.

It's a nightmare if you're working with someone you don't get on with, especially if you have to be in love with them.

I'm very much a "that's so obvious, I must not mention it" kind of guy.

When a man assumes a public trust he should consider himself as public property.

He's a million rubber bands in his resilience.

Ballet for a rainy day Silent film of melting miracle play Dancing out there through my window To the backdrop of a slow descending grey

Without the National Federation of Republican Women, there would be no Republican Party.

When you film a reality show, it's so jumbled. They shoot episodes in all orders!

It only takes one profound experience to change somebody's life.

My old man is drunker than a barrel full of monkeys, but my old lady she don't care.

His statement to himself should have been, 'I possess this now, therefore I am happy', instead of what it so Victorianly was: "I cannot possess this for ever, and therefore am sad."

I know that some people work differently, but I have to work from the inside out. It doesn't matter how big the character is, there has to be a truthful core.

All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.