Every one of my works, when I'm looking back, becomes some kind of solution, or something to concentrate on. Something to pay attention to and maybe change direction.

People always understand everything in retrospect.

Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

Public art existed all along, but ecological art just naturally grew out of my thinking and writings in that area for years. I didn't get involved in it; I started what then became a movement.

People are always fighting reality until it's pushed down their throats.

Most wonderful things are unconscious.

People have too many problems during the day; they don't want to think.

When I'm gone, you'll be sitting in a cafe and say, "Do you remember Agnes?"

People don't hurt what they love.

I went through about six or seven painting methods just to see what I didn't want to do. And then I got off the wall, and went into the environment.

Thinking has an understructure and underpinnings.

We rise up every morning and go to bed in the night by grace.

If you lose your mind when in a large group then use someone else’s!

Courage is to feel the daily daggers of relentless steel and keep on living.

The experience of overcoming fear is extraordinarily delightful.

I've always thought Prince Charming in Cinderella was the most boring role; I'd rather be the Wicked Witch.

I wish we lived in a world where all kids were loved by their parents how I was and am every day.

I go to gyms quite a bit, martial arts gyms, MMA gyms. I try to train with the best people, with who's who in the martial arts, just to keep myself sharp.

I understand that you are still grieving. But we will always be grieving.

It sounds old-fashioned to say, but we have some kind of purpose for being here, not poets or writers, but all of us humans.

Orangutans teach us that looks are not everything-but warned near it.