Exile is a series of photographs without texts.

American cities are kind of difficult contexts to work in. They are politically complex. There are a lot of different interest groups. It takes immense political skill to get anything done at all.

...people have always known, at least since Moses denounced the Golden Calf, that images were dangerous, that they can captivate the onlooker and steal the soul.

There is no magical solution because urban traffic congestion arises from the fact that a lot of people want to be in the same place at the same time often.

What we need is a critique of visual culture that is alert to the power of images for good and evil and that is capable of discriminating the variety and historical specificity of their uses.

Photography is and is not a language; language also is and is not a photography.

If you stop tending to flowers when they lose a few petals, you will never grow a garden.

Your courage to take a risk and your ability to accept responsibility will define you.

A while ago, I wished upon a shooting star that one day I’d find someone to love…and now holding you in my arms makes me realize that wishes really do come true,

I read somewhere that some people believe that the entire universe is a matrix of living thought. And I said, "Man, if that's not a definition of God, I don't know what is.

At my dad's funeral I didn't cry when my dad died. I did it years later when I forgave him, which I've totally forgiven him and I loved my dad.

While I love working on dramatic characters and stories, it's comedy that I love the most. For me, it's incredibly rewarding to make a person laugh. Laughter is one of the greatest parts of life.

When I'm doing music and I'm on the road, I love it. But once I'm home, it's very difficult to go back out on the road.

Anthropologists are a connecting link between poets and scientists; though their field-work among primitive peoples has often made them forget the language of science.

It would seem that in history it's never a tooth for a tooth, but a thousand, a hundred thousand for one.