Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!

All action in theatre must have inner justification, be logical, coherent, and real.

The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing life.

The person you are is a thousand times more interesting than the best actor you could ever hope to be.

Create your own method. Don't depend slavishly on mine. Make up something that will work for you! But keep breaking traditions, I beg you.

The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.

The language of the body is the key that can unlock the soul.

What is important to me is not the truth outside myself, but the truth within myself.

Play well, or play badly, but play truly.

Never allow yourself externally to portray anything that you have not inwardly experienced and which is not even interesting to you.

Who am I? What will I be? Why am I here? Where am I going?

If you can fall in love, then you can love.

A word is not filling in the gaps, but the fertilization of silence.

The stink of rot and ruin, of old dreams, broken screams, and wicked, dirty little things.

We rarely consider that we're also formed by the decisions we didn't make, by events that could have happened but didn't, or by our lack of choices, for that matter.

Daikatana will be the greatest game of all time.

I hate show business.

Christ did not come to straighten out the natural, but to "CROSS" it out.

I just . . . knew, the way you know how to breathe or to pull your hand back from a hot stove.

Why can't there be love that never gets tired?

We love things with biting - "Twilight" movies, zombie movies, eating.