I always have problems with seeing how our new stuff relates to our old stuff - I'm better at seeing long lines in other people's music than in my own.

We sometimes feel like hamsters on a wheel, covering the same musical ground we did 20 or more years ago.

Generally there are always a few things that get left off for some reason or other, although the criteria for inclusion vary from project to project.

I really liked Beyond The Valley Of The Dolls and a couple of others, but with these kinds of movies the best part is the 'talking about it over a beer afterwards' bit - and once is kind of enough.

When you've been at it for as long as we have, you go through fallow periods and blooming ones, and you know when you're on a roll and you learn how to keep it rolling for as long as you can.

I think this insatiable need to get to know new music is a big part of why it has lasted so long.

We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.

Sadly, as a songwriter you sooner or later finish developing your musical understanding.

Losing some data is possible... after too much of it... everything remains possible.

Death and taxes are inevitable.

Of the five most important things in life, health is first, education or knowledge is second, and wealth is third. I forget the other two.

All I know is, I don't want to stop coaching, and I don't want to stop winning, so we're gonna break the record unless I die.

So many comics have such low self-esteem.

What's the point if you make something that's not you, and you're successful? You have to perform it the rest of your life.

O help/ Me, Obi-Wan Kenobi, help. Thou art/ Mine only hope. -Leia Organa

Historical tends to be my bailiwick.

I have a weird sense of humour. My dad's the same. We love watching 'Monty Python' together.

Here at this far lost end of the continent, where the trail wagons had stopped and the people with them.